
Vintage wasn’t cool when I was in high school. Well, no one wore it when we actually got free dress days, unless it was Hallowe’en and someone went all-out with their ‘1960s Hippie’ costume (the only thing more embarrassing than that has got to be marketing Punk Lite to tweens). But somewhere between my ‘80s hand-me-downs and ‘90s quasi-raver gear, I had myself a nice little collection of retro clothing, all care of my auntie Elsa aka Liz Kolanksy aka ‘The Cool Aunt.’
The stand-outs included a gold evening jacket and a bright green mod mini dress that blew everyone else’s standard school dance fare (Calvin Klein Mom-cut jeans and baby tees) out of the water. Or maybe it provoked giggles. I can’t remember caring, just thinking I looked like the hot distant Brady cousin.
So I was thrilled when some time after high school I started heading down to New York and helping out Elsa with Studio 42 and Oly’s Vintage (named after my uncle Oly, whose salon then shared a space with her shop on E. 21st) – and with the Manhattan Vintage Clothing Show, a yearly showcase of vintage clothing and textiles for designers and fashion fiends.
It was then and there that I…
…learned how many designers’ ‘designs’ consist of re-issued vintage pieces (often after low-balling vintage clothing dealers – it’s odd, to say the least, seeing an exact replica of a piece you sold for a mere $75 for $1,000+ apiece in Saks).
…found out cool parties and media clippings don’t pay the rent, selling alongside a designer for Imitation of Christ who had moved back in with her parents.
…marveled at interns from major fashion houses sent over to buy up vintage items from their own labels.
…realized some people’s reaction to used clothing is still a decisive, ‘Eww.’
…ran into celebs and designers, managing to remain oblivious to their identities until afterward (except maybe Patricia Field and Betsey Johnson because, well, c’mon).
…found out even celebs and designers haggle.

Victorian cape from Studio 42
…gave some bullshit interview to a Village Voice reporter about the popularity of Victorian whites post-9/11.
…fell in love with every old timey soul living in New York, from a couple stuck in the 1800s to a gang of rockabilly kids (when I mentioned the cuteness of one of the boys, a girl from the group warned me he was an alcoholic).
…wandered around in a gaudy one-armed Miss Universe pageant gown and had it bought off my back.
…bought my first pair of (and god help the Sex and the City-ness of it all) Manolos for about $100 and learned the single upside to my giant shoe size: Lots of models have it, too, meaning I get a great selection of runway cast-offs and stylist steals.
Looks like I’m heading down again this year for Oct. 8 and 9, hopefully after developing a strategy for keeping myself from spending the last of my life savings on a Victorian cape or Chanel twin set (though it’s hard not to kick yourself for passing up a gorgeous 1940s dress for $100 only to find a look-a-like for the same price at H&M).
I wonder what it’ll be like this year, if it’ll be full of Mad Men fans looking for hot Joan-style dresses. Or Rachel Zoe wannabes hunting for peasant pieces to put under ‘stylist’s own’ in the fashion spread credits. Hipster kids, burlesque performers, bargain hunters and incognito millionaires. I doubt I’ll even want to hit Century 21 when I’m done.














































