The Tragically Unhip

a blog with three fingers on the pulse of uncoolness.

Poison Pen Letter to a Barbecue June 12, 2009

Filed under: Advertising, Etiquette, Manifesto, Signage — Tragically Unhip Staff @ 2:53 pm

 

Picture 3

 

Dear Weber® Q® 140 Outdoor Electric Grill’s advertising agency,

 

Thank you so much for ripping off the logo created for The Tragically Unhip by totally awesome graphic designer Laura F. Cline in August 2008.  Now that your billboards are all over Manhattan and your GIF ads are being e-blasted into the inboxes of all Flavorpill subscribers, you should have been raising our profile as the little blog that could, but instead we seem to have gone as an uncredited source of your design team’s inspiration. I hope that you’ve at least shared our URL around your impossibly sleek and modern SoHo digs so that the account managers and marketing team could read and benefit from our unhip humour. But should ever you require the services of a few brilliant, tongue-in-cheek writers, do inquire within.

 

Yours respectfully,

 

The Tragically Unhip

 

Picture 4

 

Funny Signs: Hipster Moves Edition May 10, 2009

Filed under: Advertising, Home, Neighbourhood, Signage — Genevieve D. Markle @ 2:55 am

Spotted along the escalator in the 3rd Street E/V Station in Midtown Manhattan:

Words by some jaded advertising exec, photo by Genevieve D. Markle.

Words by some jaded advertising exec, photo by Genevieve D. Markle

Wow, somebody did their homework! Every single New York hipster stereotype has been mentioned in this ad for Flatrate Moving, from the skinny jeans to the ironic facial hair to the daddy issues. Zoom in and read for yourself. But don’t laugh, because real hipsters don’t find anything funny.

 

A View From The Bridge April 23, 2009

Filed under: City Living, Culture & Society, Home, Money, Neighbourhood, Photography, Signage — Genevieve D. Markle @ 9:52 am
wbbridge1

But would Arthur Miller live here? (All photos by Genevieve D. Markle)

 

My living situations have always been a little, er, unique. I was born and raised in the Montreal ghetto of Verdun; lived for three years in a Mile End slum; and spent a combined year and a half in New York City staying in various untraditional housing arrangements, including a residence run by nuns, a flophouse on the Bowery with cell walls that didn’t even reach the ceiling, and various borrowed floors and sofas. If nothing more, these crazy, less-than-ideal housing situations proved that I am not as high maintenance as my preceding reputation would have you believe, as well as provided me with seemingly endless blog fodder with which to entertain you, dear Unhipsters.

 

And now? I live in Manhattan’s highly sought-after, highly gentrified Lower East Side. My rent is laughably affordable and I am within walking distance from everything I could ever need: 24-hour subways and drugstores, hip nightspots, great restaurants, cheap drycleaning and wash-and-fold laundry services, and my favourite museum, the Lower East Side Tenement Museum. My window offers a breathtaking view of the Williamsburg Bridge and there’s a branch of the New York Public Library just around the corner. Sounds like a dream, right? It is, but there’s a slight catch: my new apartment is in the projects.

 

Yes, the projects. Thanks to rappers like Jay-Z and Mobb Deep waxing lyrical about the housing projects that reared them (Marcy and Queensbridge, respectively), even the whitest-bread, most upper-middle-class North American suburban kid has at least a faint idea of what the projects are all about. My particular projects consist of twelve thirteen-floor high-rises that occupy a four-by-four block radius south of Avenue D and Houston, but were gratefully not gangsta enough to have made it into Unkut.com’s “Guide to Hip Hop’s Most Notorious Housing Projects“.

 

My building features all your typical project staples—an elevator that is permanently out of service, graffiti-adorned stairwells that smell like pee, and a non-existent recycling program (which I’m currently working on initiating)—while my immediate neighbourhood features all the things so commonly associated with low-income neighbourhoods: a check-cashing joint instead of a bank branch, a completely bulletproof glass-enclosed liquor store, and a dirty, no-name grocery store that I’ve been made to swear never to shop in by my well-meaning roommates. Despite all this, I can’t help but find beauty among the grittiness, so I decided to take some pictures to share with you, kind of like what Brooke did in this photo essay about her neighbourhood in Parc Extension, Montreal.

 

This is my ‘hood:

 

img_2945

 

 

img_2926img_3000

 

 

img_2949

img_2928

img_2929

 

 

 

img_3014

 

 

 

 

 

img_2955

img_3007

 

img_2940

 

 

 

img_29251img_29951

img_2994

img_3009

 

 

Post-Its as Death Threats April 1, 2009

Filed under: Culture & Society, Etiquette, Manifesto, Signage — Laurin McNiff @ 6:20 pm

3383967606_e95c523e6d

 

Some of you may think that I’ve fallen off the grid or that I’ve eloped with a nice girl to an island with blue waters, tiki torches, and neverending alcohol. Unfortunately, that type of vacation will have to come later, because right now I’m basking in the warm and ecstatic comfort of Vicodin and homemade spaghetti that I probably won’t even be able to eat due to a recent trip to the dentist’s chair. I’m at my parents’ place in Maryland’s fabulous Eastern Shore: home of blue crabs, the Chesapeake, restaurants called The Red Roost, and other assorted wonders of half-country/half-beach living.

 

You might be wondering how I’m enjoying my stay thus far. I can happily report that there is still alcohol in the house and enough food to make me create my very own eating disorder. (Although it would seem I already have a drinking disorder, however.) Truth be told, I miss New York. I miss the hedonistic parties I find myself perpetually partaking in and documenting, I miss the Brooklyn bar-hopping, and I miss ingesting such strange and appetizing drinks as Pickle Backs. However, one thing I realized I did miss about Maryland is the incredible clarity of the stars at night. It’s also a welcome change to sit outside with a cigarette and not hear gunshots, incessant horn honking, or the same damn drum beat blaring from some tricked out shitwagon speeding down my residential street. Ah, Brooklyn.

 

But I have readers to entertain and I’m sure you already suspected that there is a whiskey and coke keeping me company as I write this. With that said, I would like to tell you about a site out there on the interwebs that has had me laughing more times than a few. I can’t really remember why I haven’t posted this sooner; could be a number of reasons, blackout being the most likely. So without further ado, I link you to Passive Aggressive Notes, a site declaring itself as painfully polite and hilariously hostile writings from shared spaces the world over.” This claim doesn’t disappoint, its content comprised of submissions from readers from all over the world, taking photos of public notes (slash tell-offs) like ”Your stairs think you’re fat“ and my personal favorite: ”Any 17 year olds who thinks they are the man of the house needs a psych eval.” These sassy notes are the complete antitheses to the friendly notes that Craig and Chris have been posting around their respective towns (and subsequently warring over, as I reported here).

 

Reading the passive-aggressive notes brings back memories of my own office wars. My last job was at a staffing firm in Midtown, where we shared office space with the famed Beau Deitl and a law firm that will go nameless due to its incredibly immature (even by middle school standards) staff. What I remember most fondly is the Milk War. My co-worker Priscilla and I had a decent working relationship: we freaked out over deadlines and staffing requirements, and had a habit of making fun of everything and anyone (even our COO was fair game). One morning, Priscilla went to the kitchen and used some milk from the communal fridge for her cereal. This milk was obviously for the employees because I can’t imagine any one person buying five cartons each of fat free, skim, whole, and half and half out of their generous, beating little hearts.

 

Priscilla ate her cereal and we went about our day. Later that afternoon, when we went back to the kitchen to refill our water, we stumbled upon a huge, new note pasted onto the refrigerator door: Milk is for COFFEE ONLY“. Priscilla immediately went to Duane Reade and bought her own carton of 2% milk and labeled it with her name in the fridge.

 

The next day, her milk was frozen solid. I can’t tell you how amazed and shocked we were that someone had spitefully put it in the freezer, but I can tell you that it sparked our office’s Milk War. Every chance we got, we’d go into that kitchen and take milk, sometimes with enormous flair, even if we didn’t drink milk. It got so bad that the kitchen staff began hiding the milk. We never knew where they were hiding it or if they were just taking the milk home, but we knew they were serious. Eventually, the office manager had to create a separate fridge for Beau Dietl and ourselves, because even people who were not involved in our direct assault were getting their hands slapped (literally!) for using milk for other purposes than coffee.

 

The length of this war? Six whole months.

 

Funny Signs: Facebook Wars Edition March 9, 2009

Filed under: Art, Neighbourhood, Signage, Technology — Laurin McNiff @ 8:36 pm
n643136435_1914290_5523

Photo courtesy of Craig Dick

chrisbus

Photo courtesy of Todd Lamb

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Up until recently, my exposure to Australian culture was limited to the following: Foster’s beer, the Mad Max trilogy (before Mel Gibson went bat-shit crazy), and a girl named Rae-Rae whom I met at a house party in Astoria and subsequently did shots of Jameson with off a kitchen sink. I can now add ”An Idiot Named Craig” to that list of all things Oz.

 

A fellow with the dubious name of Craig Dick has created a public Facebook album comprised of photos of witty, thoughtful flyers printed on computer paper and posted onto various lampposts and mailboxes around Windsor, Australia. In my twisted need for socialization outside of interacting with actual human beings, what I discovered upon reading these flyers was profound: inspiration. In this day and age, when we are all anonymous avatars communicating from behind a plethora of electronic devices, Craig is trying to bring people together by getting them to meet up in person in the real world; all of his flyers invite passersby/readers to physically meet him there at a certain time on an ambiguous day of the week. (I’m sure the irony of him using the technology of Facebook as a means to get his message across is not lost on him.)

 

The problem? As Craig’s funny signs became more popular, a New York writer named Todd Lamb came forward and claimed the idea as his own, noting that he’d been posting witty notes around Brooklyn since 2008 under the name “Chris” and accusing “Craig” of plagiarism. Not only did Craig steal the idea of leaving silly flyers written all in caps on telephone poles around his neighbourhood, but some of his flyers are verbatim copies of Lamb’s NYC originals, as found on Lamb’s homepage as Exhibit A. Lamb has even created a Facebook group called “Notes from Chris (The Original)“, assuring that credit is given where credit is due. In fact, while Craig once had his own Facebook group called “Craig’s silly notes”, active as recently as this afternoon, it has since been deleted, likely as a result of Lamb’s fans leaving angry Wall comments due to Craig’s apparent disregard for intellectual property rights.

 

When I wrote to Craig last week asking to cover his postings, I received this as a reply:

Hi Laurin,

I’m not sure what of interest I’d have to say about them. I think I’d prefer just to let the notes do the talking. You’re welcome to use the images in your blog.

Regards,
Craig.

No word from Craig about the possibility that he stole the idea from someone else, but not claiming ownership for the notes either.  What makes this even stranger still is this article from zoomdoggle.com, which further tilts the scales in favor of “Chris” (Lamb) as the original curator of the funny lamppost notes.

 

Regardless, as a passerby viewing these public messages, whether they be in Brooklyn or in Windsor, I know that the flyers are there to make people at least momentarily distracted from all the stress going on inside their head: the meetings, the paychecks, the drama, that bar crush, the bills, the mortgage, the rent. And while the message is universal (“Let’s get together, people!”), art is art and the concept is only original via its source. Everything we do is influenced by the world around us, adaptations are abound in the world we live in, and imitation may be the sincerest form of flattery—but if we simply mimic the uniqueness of another, then we are neglecting the opportunity to shine as individuals, and damaging another’s credibility in the process. It’s easy to create! Just let go of the fear and throw caution to the wind: it’s art.

 

chrismattress

Photo courtesy of Todd Lamb

craigmattress

Photo courtesy of Craig Dick

 

Funny Signs: Missing Dogs Edition February 23, 2009

Filed under: City Living, Language, Neighbourhood, Signage — Genevieve D. Markle @ 6:47 pm

Spotted on a lamppost at Mont-Royal and St. Urbain, Montreal:

"Bye Bye Mon Cowboy" - Mitsou  (Photo by Genevieve D. Markle)

"Bye Bye Mon Cowboy" - Mitsou (1988)

 

This is what happens when graphic designers lose their dogs: they make eye-catching yet über-dramatic reward posters. According to this Funny Sign, Cowboy has not just gone missing; rather, he has been “KIDNAPPED”! The approach taken here sure as heck beats the one I spotted in New York last June, where the creator of the missing dog poster and his promiscuous use of unnecessary quotation marks got me wondering whether his “dog” was even a dog at all. His sign looks like shitzu in comparison:

 

missingdog

Well?! Is it a dog or not? (All photos by Genevieve D. Markle)

 

 

Funny Signs: Chinatown Edition February 6, 2009

Filed under: Fashion, Signage — Genevieve D. Markle @ 11:13 pm

 

Photo by Genevieve D. Markle

Photo by Genevieve D. Markle

 

I wasn’t kidding when I wrote that I’d been to an apartment where the two floors below us had formerly housed a sweatshop. This is an example a typical sign one would find on the door of a New York City building that has been padlocked shut as a result of manufacturing counterfeit designer merchandise. And when I say “padlocked”, I mean straight-up padlocked (see pic below). So remember, kids: Don’t be like Piper Palin. If you’re going to buy a Vuitton or a Gucci, please make sure it’s authentic. This way, no more prime real estate in New York City—that could potentially house me—would be going to waste.

 

padlocked1

Photo by Genevieve D. Markle

 

 

Funny Signs: Vancouver Flea Market Edition December 29, 2008

Filed under: Signage — Kimberly Senf @ 10:07 am
Buy Art Not Cocaine

All photos by Kimberly Senf

 

The allure of the Vancouver Flea Market only hit me after I’d spent two days locked indoors hoping that the rain would subside. It didn’t. And the flea market is only a good idea if you want to see how the other half lives and take pictures while walking down aisles upon aisles of endless junk that hopefully no one will ever purchase. It gives a whole new meaning to Buy Nothing Day.

 

This is one of the many gems I encountered at the market. And no, I didn’t purchase anything, but I must admit that the temptation was overwhelming.

 

I almost bought this, but then I couldn't figure out where to hang it. Darn. (Photos by Kimberlily)

I almost bought this, but then I couldn't figure out where to hang it. Darn.

 

Funny Signs: Blackface Edition December 28, 2008

Filed under: Music, Signage — Genevieve D. Markle @ 2:00 pm

Erm, what is wrong with this picture?

 

samba2

 

I bought this album at Phonopolis because I am a slave to the rhythm and the samba was just too good to resist, but when I brought the record home I noticed something a little… funny about the images of the musicians on the cover. Is it just me or do they look a little caricature-y? Not sure how I feel about having blackface in my record collection, kids.

 

Funny Signs: This Man Shit in My Kitchen November 18, 2008

Filed under: City Living, Etiquette, Language, Manifesto, Signage — Genevieve D. Markle @ 5:19 pm

Spotted in Fort Greene, Brooklyn on an Unhip friend’s refrigerator:

This man shit in my kitchen

Stop that scatophiliac! (Photo by Genevieve D. Markle)

 

The poster says it all. I really don’t have anything to add to this, except that I love how the author uses the word “peace” as a verb. The story behind this is that our contact’s roommate intercepted the woman who was plastering her neighbourhood with these flyers and asked if he could have one to take home for the fridge. And history, ladies and gentlemen, was made.

 

Funny Signs: Inaugural Edition November 9, 2008

Filed under: Etiquette, Health, Signage — Genevieve D. Markle @ 8:16 pm

Spotted on November 7 at McGill University’s Beatty Hall, Montreal:

Clean yes, germs no! (Photo by Genevieve D. Markle)

 

I can only imagine how McGill rivals (and all Montreal-based Unhipsters’ alma mater) Concordia University would prevent the spread of germs during cold season. While McGill proposes coughing and/or sneezing into the sleeve of your shirt, I suspect Concordia would start a petition against germs, calling them undemocratic, and then perhaps even stage a protest against them, quite possibly leading to a full-out riot, à la 2002. Oh, Concordia!